Getzen to distribute Canadian Brass worldwide. (Getzen Company Inc.; musical instruments): An article from: Music Trades

Getzen to distribute Canadian Brass worldwide. (Getzen Company Inc.; musical instruments): An article from: Music Trades Review

This digital document is an article from Music Trades, published by Music Trades Corp. on April 1, 1995. The length of the article is 496 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Getzen to distribute Canadian Brass worldwide. (Getzen Company Inc.; musical instruments)
Publication:Music Trades (Magazine/Journal)
Date: April 1, 1995
Publisher: Music Trades Corp.
Volume: v143 Issue: n3 Page: p53(1)

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Musical Instruments: Woodwind and Brass Hb (Musical Instruments of the World)

Musical Instruments: Woodwind and Brass Hb (Musical Instruments of the World) Review

Including a wide range of musical instruments from all around the world, this book on woodwind and brass instruments shows illustrations of 19 instruments, such as the trumpet, saxophone, pungi from India and Sheng from China, with key parts labelled. Alongside each is a short, simple description of the instrument and its history or cultural origin. Photographs are used throughout to demonstrate how the instrument is played and how it reflects the culture or the origins of some of the instruments.

Everything You Should Know About Musical Instruments but Don't Have Time to Learn

Everything You Should Know About Musical Instruments but Don't Have Time to Learn Review

A must read handbook for anyone interested in how musical instruments work. Through a series of reader-friendly presentations and graphics, the author simplifies the understanding of the design, construction and acoustical systems of the woodwind, brass and non-fretted string instrument families. Over 100 illustrations and numerous appendices give the reader the freedom to find information easily and quickly in this soft cover, 134 page book. The format makes it easy to read from cover to cover, or, to find one fact relevant to a particular instrument. All chapters are short and to the point, new terms are italicized, and diagrams of the instrument parts under discussion are presented when applicable, simplifying the reader search for information.

The 2009-2014 World Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments

The 2009-2014 World Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments Review

This econometric study covers the world outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-à-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved. This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the 230 countries of the world). This study gives, however, my estimates for the worldwide latent demand, or the P.I.E., for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. It also shows how the P.I.E. is divided across the world's regional and national markets. For each country, I also show my estimates of how the P.I.E. grows over time (positive or negative growth). In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on international strategic planning at graduate schools of business.

Which Musical Instrument?

Which Musical Instrument? Review

In this children's guide to musical instruments, you and your child will follow along with Jerod and Mr. Melody as they tour a music store, exploring the qualities and quirks of instruments ranging from the triangle to the trombone, the guitar to the glockenspiel.It's all explained in clear child-friendly terms that take the mystery out of the magical world of music.

Woodwinds and Brass (The Musical Instruments of the World)

Woodwinds and Brass (The Musical Instruments of the World) Review

Describes nineteen wind instruments from around the world including the oboe, didjeridu, bassoon, and accordion.

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan Review

This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business.

The 2011-2016 World Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments

The 2011-2016 World Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments Review

This econometric study covers the world outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-a-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the 230 countries of the world). This study gives, however, my estimates for the worldwide latent demand, or the P.I.E., for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. It also shows how the P.I.E. is divided across the world's regional and national markets. For each country, I also show my estimates of how the P.I.E. grows over time (positive or negative growth). In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on international strategic planning at graduate schools of business.

The Trumpet (Yale Musical Instrument Series)

The Trumpet (Yale Musical Instrument Series) Review

In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today.

Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts.

The British Brass Band: A Musical and Social History

The British Brass Band: A Musical and Social History Review

This is the definitive study of the history and music of the traditional British brass band. It explores the origins of the brass band, its unique and exclusive world, and its relevance for wider spheres of music and social history.

Woodwind and Brass (Musical Instruments of the World)

Woodwind and Brass (Musical Instruments of the World) Review

Including a wide range of musical instruments from all around the world, this book on woodwind and brass instruments shows illustrations of 19 instruments, such as the trumpet, saxophone, pungi from India and Sheng from China, with key parts labelled. Alongside each is a short, simple description of the instrument and its history or cultural origin. Photographs are used throughout to demonstrate how the instrument is played and how it reflects the culture or the origins of some of the instruments.

The Trombone (Yale Musical Instrument Series)

The Trombone (Yale Musical Instrument Series) Review

This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries.
The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone’s development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan Review

This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business.

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Greater China

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Greater China Review

This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the regions of Greater China, including provinces, autonomous regions (Guangxi, Nei Mongol, Ningxia, Xinjiang, Xizang - Tibet), municipalities (Beijing, Chongqing, Shanghai, and Tianjin), special administrative regions (Hong Kong and Macau), and Taiwan (all hereafter referred to as "regions"). Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,100 cities in Greater China. For each major city in question, the percent share the city is of the region and of Greater China is reported. Each major city is defined as an area of "economic population", as opposed to the demographic population within a legal geographic boundary. For many cities, the economic population is much larger that the population within the city limits; this is especially true for the cities of the Western regions. For the coastal regions, cities which are close to other major cities or which represent, by themselves, a high percent of the regional population, actual city-level population is closer to the economic population (e.g. in Beijing). Based on this "economic" definition of population, comparative benchmarks allow the reader to quickly gauge a city's marketing and distribution value vis-a-vis others. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in the United States

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in the United States Review

This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the states and cities of the United States. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 10,900 cities in the United States. For each city in question, the percent share the city is of it's state and of the United States is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each state and city, latent demand estimates are created for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

Musical Instrument Design: Practical Information for Instrument Design

Musical Instrument Design: Practical Information for Instrument Design Review

This is an encyclopedic, large-format book containing hundreds of illustrations. While not geared toward making conventional instruments, Musical Instrument Design provides all the information that anyone (amateur or professional) should ever need to construct an amazingly wide variety of percussion, string, and wind instruments. Includes many designs along with parts lists and detailed construction instructions.

The 2009 Report on Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments: World Market Segmentation by City

The 2009 Report on Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments: World Market Segmentation by City Review

This report was created for global strategic planners who cannot be content with traditional methods of segmenting world markets. With the advent of a "borderless world", cities become a more important criteria in prioritizing markets, as opposed to regions, continents, or countries. This report covers the top 2000 cities in over 200 countries. It does so by reporting the estimated market size (in terms of latent demand) for each major city of the world. It then ranks these cities and reports them in terms of their size as a percent of the country where they are located, their geographic region (e.g. Africa, Asia, Europe, Middle East, North America, Latin America), and the total world market.

In performing various economic analyses for its clients, I have been occasionally asked to investigate the market potential for various products and services across cities. The purpose of the studies is to understand the density of demand within a country and the extent to which a city might be used as a point of distribution within its region. From an economic perspective, however, a city does not represent a population within rigid geographical boundaries. To an economist or strategic planner, a city represents an area of dominant influence over markets in adjacent areas. This influence varies from one industry to another, but also from one period of time to another.

In what follows, I summarize the economic potential for the world's major cities for "non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments" for the year 2009. The goal of this report is to report my findings on the real economic potential, or what an economist calls the latent demand, represented by a city when defined as an area of dominant influence. The reader needs to realize that latent demand may or may not represent real sales.