Wednesday, January 11, 2012

Brass Performance and Pedagogy

Brass Performance and Pedagogy Review



This complete book presents an approach to playing and teaching brass instruments that is based on the fundamental skills of good listening and good respiratory practices. It emphasizes the importance of developing these and other traditional skills—such as embouchure development, articulation, tone quality, range and stamina—through musical ideas rather than isolating on individual muscular behavior. Careful attention is paid to the natural way in which learning takes place in other skills and shows how such processes may be applied to learning to play a brass instrument. Chapter topics cover the art of teaching, listening, developing a concept of sound, posture, breathing, mouthpiece playing, the warm-up, slurring, intonation, endurance, taking auditions, playing high pitched instruments, performance anxiety, and professional ethics. For teachers who deal with brass students at all stages of development.


Saturday, January 7, 2012

Antique Brass Wind Instruments: Identification and Value Guide

Antique Brass Wind Instruments: Identification and Value Guide Review



Collecting antique brass musical instruments involves a fascinating and wide range of subjects, including music history, art history, political history, industrial history, and changing aesthetics. Designed for musical instrument collectors and those who regularly encounter antique brass musical instruments made before 1920, this book features more than 100 original line drawings from musical instrument catalogs as well as interesting new information regarding these instruments. Readers with a background or interest in music and musical instruments will find this book a valuable resource for years to come and one that will enhance their knowledge and collection. Antique Brass Wind Instruments also includes a helpful value guide, a glossary of terms, a bibliography of scholarly reference books, and several appendices of particular interest to beginning collectors.


Friday, January 6, 2012

The Trombone (Yale Musical Instrument Series)

The Trombone (Yale Musical Instrument Series) Review



This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries.
The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone’s development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.


Thursday, January 5, 2012

The Canadian Brass Wedding Essentials - Trombone: 12 Intermediate Pieces for Brass Quintet

The Canadian Brass Wedding Essentials - Trombone: 12 Intermediate Pieces for Brass Quintet Review



The Canadian Brass Wedding Essentials - Trombone: 12 Intermediate Pieces for Brass Quintet Feature

  • Published by Canadian Brass 16 Pages
  • Trombone
  • Artist: The Canadian Brass
The Canadian Brass - the phenomenally successful, globe-trotting brass quintet that plays to audiences of thousands well over 100 times a year and is the bestselling classical crossover group in recorded history - doesn't exactly play weddings! However, there is excellent music for wedding services from their repertoire, collected from their extensive educational publications for brass quintet. Contents: Air from Water Music (Handel), Air on the G String (Bach), Bridal Chorus (Wagner), Canon (Pachelbel), Fanfare from Orfeo (Monteverdi), Largo from Xerxes (Handel), Prayer from Hansel and Gretel (Humperdinck), Rondeau (Mouret), Trumpet Tune and Ayre (Purcell), Trumpet Voluntary (Clarke), Trumpet Voluntary (Purcell), Wedding March (Mendelssohn).


Wednesday, January 4, 2012

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan

The 2009-2014 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Japan Review



This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business.


Monday, January 2, 2012

Brass Unbound: Secret Children of the Colonial Brass Band

Brass Unbound: Secret Children of the Colonial Brass Band Review



The colonization of Africa, Asia and Latin America was carried out to the music of horns and the beating of drums. Brass bands marched in the footsteps of soldiers and missionaries; all over the world music was a weapon for impressing the natives with the military, religious and cultural superiority of European civilization. Local musicians soon discovered that brass lent itself to something more than just playing Western marches, songs and hymns. In the most distant corners of the world, brass bands were appropriated as dance orchestras, wedding bands and funeral ensembles that adapted to local musical traditions. Rob Boonzajer Flaes is an anthropologist at the University of Amsterdam. In "Brass Unbound" he describes through photographs and eyewitness accounts, the legacy and transformation of nineteenth century bands into African highlight music, Indian and Nepalese band parties, Suranamese winti bands, and the zinc orchestras of the Minahasa. The books includes a CD.


Sunday, January 1, 2012

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Greater China

The 2011-2016 Outlook for Non-Electronic Cornets, French Horns, Trombones, Trumpets, Tubas, and Other Brass Wind Musical Instruments in Greater China Review



This econometric study covers the latent demand outlook for non-electronic cornets, French horns, trombones, trumpets, tubas, and other brass wind musical instruments across the regions of Greater China, including provinces, autonomous regions (Guangxi, Nei Mongol, Ningxia, Xinjiang, Xizang - Tibet), municipalities (Beijing, Chongqing, Shanghai, and Tianjin), special administrative regions (Hong Kong and Macau), and Taiwan (all hereafter referred to as "regions"). Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,100 cities in Greater China. For each major city in question, the percent share the city is of the region and of Greater China is reported. Each major city is defined as an area of "economic population", as opposed to the demographic population within a legal geographic boundary. For many cities, the economic population is much larger that the population within the city limits; this is especially true for the cities of the Western regions. For the coastal regions, cities which are close to other major cities or which represent, by themselves, a high percent of the regional population, actual city-level population is closer to the economic population (e.g. in Beijing). Based on this "economic" definition of population, comparative benchmarks allow the reader to quickly gauge a city's marketing and distribution value vis-a-vis others. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.